Wednesday, November 29, 2006

Scent of the Wolf

Ladies and Gentlemen, I present to you the Queen of Gothic Romance.

Tracy Jones has woven a tale steeped in mystery, intrigue, and romance that will quite simply keep you on the edge of your seat from beginning to end. She hits all of the conceits of Gothic Romance - imperiled heroine, exotic locale, brooding and malevolent castle, devilishly handsome dark hero, labyrinthian family secrets - without any of it seeming cliche.

The characters are well developed throughout, from our protagonist right down to the castle staff. Each comes alive on the page, and each carry a piece of the underlying mystery, but perhaps the most vivid character is the atmosphere itself. Ms Jones breathes dark life into the peregrine landscape and makes you feel like you are there in a way that few authors can.

What sets Scent of the Wolf apart is a palpable evil that lies waiting just beyond the printed word. You are drawn in and expect with each turn of the page to be confronted with your darkest fears. This really is a novel that will carry you along. Its maddening pace leads to but one place, and I guarantee it will not be what you expect. Not by any stretch.

Tracy Jones is able to do what few others have done before and that is to create an authentic Gothic Romance that is filled with true horror. I cannot recommend this novel highly enough.

Order HERE

Sunday, November 26, 2006

A Comic Book Legend Passes

Comic legend Dave Cockrum died in his sleep early this morning after a long battle with diabetics and its varied complications.

Dave is perhaps best known for his work in helping to create the "New X-Men", especially the character of Nightcrawler, and his two runs on that title. A more than 30 year veteren of the industry, his impact was heavy on the crop of modern artists in the field.

He will be missed.

There are no details of services at this time. Dave asked to be cremated and his widow Paty is burdened with the news, so well wishers are asked not to call. Email can be sent to magnetorampant@yahoo.com

Saturday, November 25, 2006

Now on Ebay: The Book of the Law

It is one of my most prized possessions, but times are tough and it can do me more good by being liquidated than by sitting in a place of honor on a shelf.

The Book of the Law Liber Al Vel Legis Sub Figura Ccxx by Aleister Crowley

Published by Magickal Childe, in conjunction with the Ordo Templi Orientis in 1990. It is a Pocket-sized Hardcover (12mo, 93pp) in red leather with gilt title and designs on upper board and a ribbon bookmark. I would classify this book as being in Near Mint condition.


I trust that it will find a good home.

CLICK HERE TO GO TO THE EBAY LISTING

Wednesday, November 22, 2006

Tool Time in Theory and Practice


The Great Beast crops up in the strangest of places:

In episode 168 'Taking Jill for Granite' of the television show "Home Improvement" we find Tim "the Tool Man" Taylor seeking advice from his neighbor Wilson, a common conceit of the show. Wilson is played as a sage-like figure, a living and breathing encyclopedia of wisdom and knowledge, armed with an arsenal of quotes to fit any oocasion. Tongue firmly in cheek, of course.

Wilson, face obscurred, offers this to his bumbling neighbor: ''...I am reminded of the English writer Aleister Crowley who said that "falsehood is invariably the child of fear."

As I said, the strangest of places.

Tuesday, November 21, 2006

An early Thanksgiving feast for the horror starved

Pillow Talk
A Short Story by Bob Freeman
www.cairnwood.net


"What if there was a pillow in that window? Just an ordinary old pillow in a slightly dirty cotton slip? And suppose somebody curious about why such an item would be on display — a writer like you, maybe — went in and asked about it, and the guy who ran the pawnshop said it was H.P. Lovecraft's pillow, the one he slept on every night, the one he dreamed his fantastic dreams on, maybe even the one he died on."
~Stephen King, 2005


I recall the white capped waves crashing against the shore and the thunderous roar of surf and distant storm. Light rain was falling upon me and I was lost within the complex tumblings of a mind beset by the trials of a life unfulfilled. My prospects seemed as bleak as the weather’s temperament, leaving me with thoughts of dark and sinister actions that I could take to end the overwhelming sense of dread and despair. Depression is a mire from which escape is difficult. In the end, we are all alone with our thoughts, and when they take the course of the morose then to sink even deeper often seems the only recourse. Such was my state of mind in what I call the Weekend of my Discontent.
I left the haggard Rhode Island shore and plunged into Providence and the artificial comforts and faux charms of the historic city. They had taken great lengths to maintain the architecture of the eighteenth and early nineteenth century giving the city an old world feel, but there was no disguising the undercurrent of malediction that inflicted itself upon the city’s inhabitants. Something lurked beneath the surface. You could see it in their eyes, something unnatural, unholy, and inhuman. It crawls inside your mind and caresses your gray matter with flailing tentacles, whispering insidious desires to the depraved and indifferent. It was a city of the damned and I had the odd sense that I had at long last come home.
I strolled along Orange Street and grabbed a coffee in the Arcade, an indoor mall built under the influence of the Greek revival architectural movement that had swept through New England. It was a blight to my current mental state with its obvious facade of normalcy. I knew better. I could taste the wrong as surely as I could taste the whiskey I’d added to my cup of java. They couldn’t fool me. My eyes had been ripped wide open and the truth was becoming more and more evident the longer I spent in the coastal city.
Time is a funny thing. Five days ago I was a supervisor overseeing acquisitions for the Field Museum of Natural History in Chicago. Preparing an exhibit on the life of H. P. Lovecraft, in celebration of the seventieth anniversary of his death, we received a collection of crated items from his hometown. It was to be personal items, those things with which the author would have had contact with on a daily basis. There was one crate however unmarked and with no return address. Little did I realize as we cracked the seal how my life would change. Little did I realize that when the veil was lifted from my eyes that the world would be born anew and white would become black, day would turn to night, and all that was right would suddenly become wrong.
Five days ago I was a son and a husband. Four days ago I became an orphan and a widower. Was I to blame? Assuredly. It was I, after all, who chose my profession, majoring in History and Literature at Chicago University and following my Master’s Degree into the posh employment of the Field Museum. It was I who gave the order to uncrate the Lovecraft artifacts. It was I who removed the pillow with its dirty and soiled slip cover. It was I who touched the pillow to my head and had the first inkling of the god awful truth. It was I who heard the whispers from within and again I who heeded their call. And, to my shame, it was I who was the instrument of their intent.
Five days ago I awoke from a night of restless sleep and now that the sleeper has awakened there can be no return to the realm of dreams and nightmare. The nightmares are now real and have slain the dreams of youth. Reality wears a new yet ancient face and it stares at me from behind the facade of everyone I see. Truth is liberating even when it is revealed to be uninhibited evil. The mask is cast aside. The world is bathed no longer in the afterglow of false hope and promise. I have been reborn into the world and it is a world of darkness unfettered.
I crossed the street and stumbled into a shuffling maniac, grimy and unclean. He of the great unwashed. He mumbled something unintelligible and to my dismay I was forced to retort.
“Excuse me?” I questioned. It came out half choked. I realized I hadn’t spoken aloud in four days, perhaps because I feared I would be tempted to scream and never stop. Even at the coffee shop I had merely pointed at the menu, paying wordlessly with ne’er a thank you, fuck you, or how do you do.
“I said,” the man responded, “the sleeper must awaken.”
“And your inference?”
“My what?”
“What do you mean by what you said, the sleeper must awaken?” I was angry and a touch maniacal myself. I mean I was, after all, responsible for three deaths in four days by my reckoning and so was in no mood to banter with a homeless vagabond of limited means. That he should issue forth a message of such a cryptic nature, or one so obviously personal was fitting. There was little doubt that I was in the midst of a preternatural communication from beyond the realm of reason.
“Beyond the Wall of Sleep, a shadow grows and its shape is not unlike the shadow you cast.” The beggar man said through his crumb filled beard and crooked little mouth filled with broken, blackened teeth.
“What does that mean?” I pleaded, dropping my travel bag and grasping Aqualung by the shoulders of his thread bare coat. We were standing in the near lane of Orange Street and a taxi honked and swerved to avoid us, but I was oblivious to the danger. This man was somehow connected to the wraith like tendrils that was stroking my fracturing psyche and I would not be denied.
I called out to the taxi, begging for it to stop and I forced the man inside. The homeless man muttered something but a quick elbow to the ribs quieted him down. He doubled over, head into his lap, gasping for breath in a raspy fashion. The cabby was unperturbed.
“Swan Point Cemetery,” I said calmly.
Swan Point was located on the northeast side of Providence, on an estate of some two hundred acres, extending from Blackstone Boulevard easterly to the shore of the Seekonk River. The grounds were comprised of an odd combination of lawns and drives, with sporadic copses of forest, and an undergrowth of laurel, rhododendrons, azaleas and other shrubs that attempted to flower within this city of the dead. Steep banks and deep ravines populated the river side, and in the open places were deceptive vistas of the river and the surrounding country… deceptive in that I could see the true face of Providence and its unholy and unnatural surroundings. This was a land neck deep in filth and evil and the vileness seeped from the very ground itself, so pervasive was its malignancy.
With the shambling one and my package in tow, we exited the taxi and marched across the soggy lawn and toward He Who Waits. The package weighed heavy, like Marley’s chains I suppose. It was all I had brought from my Evanston townhouse. The only thing to which I could not bear to part, not since I had uncrated the prize five nights before and had put it to good use but a night of restless sleep later. It whispered to me from within its wrapping, encouraging me in my quest for truth.
After ten minutes we arrived at our destination, nestled in perpetual shadow. The icy rain fell harder here, was colder by far than any rain I’d felt before. The ominous storm to which I had viewed from the coast a few hours earlier had decided to take root over Swan Point. A vortex of tumultuous energy swirled overhead, black clouds pulsating with eldritch dynamism, lightning dancing back and forth across the darkening sky.
“Alright,” I called out above the wind and rain, “here we are. Now you will tell me what you know.”
“Unhappy is he to whom the memories of childhood bring only fear and sadness,” the vagabond replied, his eyes gone feral like a caged animal.
“You speak in the same riddles as that which I hold in my hands. Are you a conduit of the Ancient Voices that once ruled this place?” I was tearing at the package and let the scraps of brown parcel float away on the savage wind. I held the pillow tightly. Spittle stained and yellowed with age, dark brown stains had been added to the slip cover’s menagerie of filth. I released it and it fell heavily like lead, coming to rest at the base of the headstone we stood before, the monument to an artist passed.
I am Providence it read. I am Providence. How very egotistical of the author, to claim himself to be his own birthplace. What could Howard have meant by this? Was it even his desire for it to be placed there? Was it his way of stating that Providence was the home of his dark dreams, those same dreams dreamt upon the very pillow now lying like an enigma at the very spot of its former owners final resting place? Was it a cryptic clue revealing the location of the Ancient Gods that once called this world their realm? The raging storm overhead thought so.
I struck the vagabond hard in the face and he fell to the ground like a tree felled in the forest. I fell upon him, straddling his chest and I could see in his eyes that the truth was his. He was a follower of the denizens of the deep and must be quieted. I hefted the heavy pillow from its place of rest and forced it down upon the dark pilgrims face. He struggled beneath me, much more than my parents had, but oddly, not as violently as my wife had struggled.
I released the pillow from my grasp and it was lifted up by the dark winds and carried away, now as light as the feathers that filled it. It sailed up and away from my sight, becoming but a speck to my enfeebled vision. Tears had chosen to join the rainwater that cascaded down my face. I was still straddling the vagabond when they came and drug me away from Lovecraft’s grave.
For months now I have languished within this cell, its walls padded against my attempts at self destruction. I have written my tale in my own blood and inscribed it upon these walls, hoping that it would reach ears that would find the truth within the words I’ve scrawled. Such is the nature of the damned and forgotten.
Somewhere, out there, an ill wind blows and carries with it Lovecraft’s pillow. Somewhere, out there, someone will find it and if they should perchance lie upon it to dream, then they too will know what I have come to know. They will have the veil lifted and their eyes will be ripped open and then they will see what I have seen and what I continue to see each night when sleep overtakes me. Such is the nature of the damned and forgotten. Such is the nature of restless sleep.

FIN

IHWA

Last night, I made the moderate drive to the big city and joined the Indiana Horror Writers at the 71st Street Starbucks on the edge of Indianapolis. This was the second meeting I'd ventured out for. The first, a month previous, was a "boy's night out" as President Michael West, Secretary Maurice Broaddus, and myself settled down for a night of convention gossip and craft discussion. Last night's meeting was a much different affair.

Enter the ladies of IHWA.

All of the members were in attendance for the November meeting, the group's last of the year. I was welcomed by Tracy Jones, Sara Larson, and Lauren David, as well as Michael and Maurice. The women added a playful nature to the night's proceedings that mixed well with the serious critique of one of Michael's stories and the discussions of past and future cons.

The membership of the IHWA is a solid group, with talented and thoughtful writers. I believe I will be very comfortable with these fine folk. They are honest and care about their craft, but they aren't afraid to let their hair down and that's refreshing.

I can hardly wait for January and the first meeting of 2007.

My thanks to everyone for welcoming me into their group. It is an honor and a pleasure for me to be counted among them.

Monday, November 20, 2006

Flying Fists at the Icehouse

In a brief exchange with one of my favorite writers, Jack Kincaid, I mentioned that I had once done time as a bartender and bouncer. It was a fact he was unaware of and this inturn set my wheels to churning, cobwebs shaking loose memories of long gone days.

Irony being what it is, and considering my infinite fondness for Robert E. Howard I think this equates, I did a seven year tour of duty in a nightclub called the Icehouse. I was tailor made for bouncing in bars I'm afraid. I was tall (6'2"), so I could see over the crowd, and I was big (at the time I weighed in at 245#), so I could move the crowd. I was also hard headed, which is probably the most important skillset to have in a bouncer's arsenal.

I've been stabbed, had chairs and bottles broken over my head and back, shot at, clawed, bit, punched, kicked, and mauled. Oh, and maced.

When I started, back in 1991, I was being paid $25 a night, three nights a week. That generally equated to about $8 per fight. Can you imagine? Here's eight dollars, now go wade through 500 people and disarm a crazy drunk with a broken beer bottle.

It was a rough life, let me assure you. Seeing as how the pay was rather poor, it was a second job. My "day job" was as a construction worker. I'd spend 12 hours Monday through Saturday roofing barns and houses, or framing additions... then on Thursday through Saturday I would bounce from 8pm to 4am. I usually got about three hours of sleep on those weekends. And had to fight on top of the lack of sleep. Like I said... a rough life.

Luckily, I never got hurt and never lost a fight. It often helps being a sober man in a drunken brawl. One of the things most people don't realize about bar security is that rarely are you just throwing down with one guy... most often it is the primary drunken idiot quickly followed by a melee with that idiot's friends. Rarely did I ever have to fight one on one with a guy... It was usually a two or three on one deal. But I survived... and I had fun.

Fun?

Really?

Yeah, it was. When the adreneline's flowing and your life is on the line, well, you feel alive in a way that you don't get elsewhere. Would I have preferred to have the night pass quietly, laughing and joking with the patrons? Sure. But looking back now, I miss it. The chest thumping. The bravado. The crushing blows.

But that shit's for young men, and I'm not the iron warrior I was then. Not by a long shot.

But there's some life in me yet.

An old scapper always got one more fight in 'em... :)

Saturday, November 11, 2006

Puritan: A Devil of a Good Idea

By Derek Malcolm, Evening Standard 09.11.06

Here's a strange horror thriller.

Swathed in a kind of luminous darkness throughout, it has Nick Moran as Puritan, an alcoholic writer on the paranormal researching the links between ghostly goings-on in Whitechapel and the several churches built by Hawksmoor.

He lives in a house designed by that eccentric and possibly wicked architect, and works on the side as a medium for the bereaved.

He is visited by a disfigured man called Grey (Pete Hodge), whose wife (Georgina Rylance) has left him for the pseudo-fascist head of a doubtful think-tank (David Soul); Puritan then meets Grey's ex-wife and he too falls for her. Grey tries to warn him off but murder most foul is the result.

The killing comes as no real surprise, since it transpires that Aleister Crowley once lived in Puritan's house and was said to have summoned up the Devil there.

Hadi Hajaig produced, directed, wrote and helped to edit this weird and sometimes rather wonderful film which is original, if pretty uneven.

He's distributing it himself, and you have to wish him luck.

Wednesday, November 08, 2006

SLAYER is coming...

No, not the band, nor the novel by Karen Kohler... Just one of the most highly anticipated DVD releases in ages.

Check it Out:

Every year, new species of creatures are discovered within the world's jungles, just as others become extinct.

On November 21st, Anchor Bay Entertainment will release Slayer , a story of a company of soldiers sent on a mission into the South American jungle where they discover a new breed of vampire, deadly by day as well as by night!

Written and directed by Kevin VanHook (Voodoo Moon , The Fallen Ones , The Damned) and starring Casper Van Dien (Starship Troopers, Sleepy Hollow ) and Jennifer O'Dell (“CSI: Miami,” “The Closer,” “Nip/Tuck”), Slayer is a terrifying update on the vampire legend and with an SRP of $19.98, it won't drain you.

Slayer begins when a peace-keeping army is dispatched to a remote jungle in South America to investigate a series of horrific attacks. Headed by Captain Tom ‘Hawk' Hawkins (Van Dien) and his second-in-command Grieves (Kevin Grevioux – Underworld , “Angel”, Bowfinger), the squad finds itself in a deadly confrontation with a nest of vampires impervious to daylight.

And these vampires are growing in number, for they have gone beyond preying on the local villagers. Now they are directing their thirst towards Hawk's fellow officers, intent on absorbing their military knowledge for their own bloody campaign!

Slayer co-stars Lynda Carter (“Wonder Woman”, “Law & Order: Special Victims Unit,” Sky High ), cult movie favorite Danny Trejo ( The Devil's Rejects , All Souls Day: Dia de los Muertos ) and former Miss Puerto Rico Joyce Giraud (“Joey”, Dude, Where's My Car? )

The Slayer DVD also hosts a slew of sinister supplements including:

Widescreen presentation (1.78:1), enhanced for 16x9 televisions
Audio commentary by Writer/Director Kevin VanHook and Star Casper Van Dien
Photo and concept art gallery
Script ( DVD -ROM)

Filmed on location in Puerto Rico, including the famous Rio Camuy Caves , Slayer presents an epic battle between the living and the undead against a suitably savage landscape. With its unique interpretation of one of horror's most popular legends, anyone with a stake in vampires will want to take a bite out of Slayer !

SLAYER

Street Date: November 21, 2006

Pre-Book: October 11, 2006
Catalog #: N9000
UPC: 0-1313-89000-8 1
Run Time: 87 Minutes
Rating: Horror
SRP : $19.98

Tuesday, November 07, 2006

The Passage of Time

Monday, November 06, 2006

Monday Morning Grab Bag

A Monday Morning Grab Bag of Links to Stories of Interest:
And for something completely different...

Saturday, November 04, 2006

Oh, what could have been...

Spectre was created, written, and produced by Gene Roddenberry for airing on NBC May 21, 1977. This supernatural thriller starred Gig Young and Robert Culp as two paranormalists battling a great and powerful force plaguing a wealthy London financier. Directed by Clive Donner, Spectre had little in common with Star Trek or any previous Roddenberry project.

Roddenberry's Spectre TV movieThe concept promised "horrors unimaginable, a descent into a corner of hell" but rattled off as an anemic, talky 1970's melodrama.

Joel Eisner remarks, "I always liked Spectre, it had sort of a feel like a Hammer film and a Kolchak episode mixed together. I thought Gig Young was miscast, in fact I think Darren McGavin would have been a better choice, and, in lieu of the fact that Young killed himself shortly after the film aired, they would have had to recast if the show sold."

"I recently found something interesting about this film which I and several other film historians I know never knew." Eisner continued. "There was a European version of this film with extra footage and, in particular, nudity. It has always been known that many films added nude and violence for the European market. It was also known that many us TV movies were aired theatrically in England and Europe, but the addition of nudity to a TV movie is rare. In the case of this film, unknown, until recently when the Fox Movie Channel aired the film several times - mostly overnight - I hadn't seen the film for years and was surprised when I found that the print they were airing must have been the overseas version because of the several nude women that appeared in the black mass scene at the end of the film. Not just in the background but in full topless and bottomless (from the back) closeup. Not that it hurt the film, in fact, it made the scene less choppy as it originally appeared. I guess to cut out the nudity, they had to splice the scenes closer together. I hope they get around to releasing this version to disc."

After Spectre, Gene Roddenberry gave up on getting another TV series off the ground.

Friday, November 03, 2006

Shadows Over Somerset

Just a friendly reminder that
first in the Cairnwood Manor series,
is available from several sources.
You can order from:

or order directly from your favorite
brick and mortar location.
Shadows' ISBN # is 0976791447
Look for me to be signing in person on December 2
at the Waldenbooks in the Mounds Mall, Anderson IN
Hope you can make it.

Neil Gaiman's Halloween Post

Ghosts in the Machine by Neil Gaiman

WE are gathered here at the final end of what Bradbury called the October Country: a state of mind as much as it is a time. All the harvests are in, the frost is on the ground, there’s mist in the crisp night air and it’s time to tell ghost stories.

When I was growing up in England, Halloween was no time for celebration. It was the night when, we were assured, the dead walked, when all the things of night were loosed, and, sensibly, believing this, we children stayed at home, closed our windows, barred our doors, listened to the twigs rake and patter at the window-glass, shivered, and were content.

There were days that changed everything: birthdays and New Years and First Days of School, days that showed us that there was an order to all things, and the creatures of the night and the imagination understood this, just as we did. All Hallows’ Eve was their party, the night all their birthdays came at once. They had license — all the boundaries set between the living and the dead were breached — and there were witches, too, I decided, for I had never managed to be scared of ghosts, but witches, I knew, waited in the shadows, and they ate small boys.

I did not believe in witches, not in the daylight. Not really even at midnight. But on Halloween I believed in everything. I even believed that there was a country across the ocean where, on that night, people my age went from door to door in costumes, begging for sweets, threatening tricks.
Halloween was a secret, back then, something private, and I would hug myself inside on Halloween, as a boy, most gloriously afraid.


Now I write fictions, and sometimes those stories stray into the shadows, and then I find I have to explain myself to my loved ones and my friends.

Why do you write ghost stories? Is there any place for ghost stories in the 21st century?

As Alice said, there’s plenty of room. Technology does nothing to dispel the shadows at the edge of things. The ghost-story world still hovers at the limits of vision, making things stranger, darker, more magical, just as it always has ....

There’s a blog I don’t think anyone else reads. I ran across it searching for something else, and something about it, the tone of voice perhaps, so flat and bleak and hopeless, caught my attention. I bookmarked it.
If the girl who kept it knew that anyone was reading it, anybody cared, perhaps she would not have taken her own life. She even wrote about what she was going to do, the pills, the Nembutal and Seconal and the rest, that she had stolen a few at a time over the months from her stepfather’s bathroom, the plastic bag, the loneliness, and wrote about it in a flat, pragmatic way, explaining that while she knew that suicide attempts were cries for help, this really wasn’t, she just didn’t want to live any longer.
She counted down to the big day, and I kept reading, uncertain what to do, if anything. There was not enough identifying information on the Web page even to tell me which continent she lived on. No e-mail address. No way to leave comments. The last message said simply, “Tonight.”
I wondered whom I should tell, if anyone, and then I shrugged, and, best as I could, I swallowed the feeling that I had let the world down.
And then she started to post again. She says she’s cold and she’s lonely.
I think she knows I’m still reading ....



I remember the first time I found myself in New York for Halloween. The parade went past, and went past and went past, all witches and ghouls and demons and wicked queens and glorious, and I was, for a moment, 7 years old once more, and profoundly shocked. If you did this in England, I found myself thinking in the part of my head that makes stories, things would wake, all the things we burn our bonfires on Guy Fawkes’ to keep away. Perhaps they can do it here, because the things that watch are not English. Perhaps the dead do not walk here, on Halloween.

Then, a few years later, I moved to America and bought a house that looked as if it had been drawn by Charles Addams on a day he was feeling particularly morbid. For Halloween, I learned to carve pumpkins, then I stocked up on candies and waited for the first trick-or-treaters to arrive. Fourteen years later, I’m still waiting. Perhaps my house looks just a little too unsettling; perhaps it’s simply too far out of town.


And then there was the one who said, in her cellphone’s voicemail message, sounding amused as she said it, that she was afraid she had been murdered, but to leave a message and she would get back to us.
It wasn’t until we read the news, several days later, that we learned that she had indeed been murdered, apparently randomly and quite horribly.
But then she did get back to each of the people who had left her a message. By phone, at first, leaving cellphone messages that sounded like someone whispering in a gale, muffled wet sounds that never quite resolved into words.
Eventually, of course, she will return our calls in person.



And still they ask, Why tell ghost stories? Why read them or listen to them? Why take such pleasure in tales that have no purpose but, comfortably, to scare?

I don’t know. Not really. It goes way back. We have ghost stories from ancient Egypt, after all, ghost stories in the Bible, classical ghost stories from Rome (along with werewolves, cases of demonic possession and, of course, over and over, witches). We have been telling each other tales of otherness, of life beyond the grave, for a long time; stories that prickle the flesh and make the shadows deeper and, most important, remind us that we live, and that there is something special, something unique and remarkable about the state of being alive.

Fear is a wonderful thing, in small doses. You ride the ghost train into the darkness, knowing that eventually the doors will open and you will step out into the daylight once again. It’s always reassuring to know that you’re still here, still safe. That nothing strange has happened, not really. It’s good to be a child again, for a little while, and to fear — not governments, not regulations, not infidelities or accountants or distant wars, but ghosts and such things that don’t exist, and even if they do, can do nothing to hurt us.

And this time of year is best for a haunting, as even the most prosaic things cast the most disquieting shadows.

The things that haunt us can be tiny things: a Web page; a voicemail message; an article in a newspaper, perhaps, by an English writer, remembering Halloweens long gone and skeletal trees and winding lanes and darkness. An article containing fragments of ghost stories, and which, nonsensical although the idea has to be, nobody ever remembers reading but you, and which simply isn’t there the next time you go and look for it.

Neil Gaiman is the author of the novel “Anansi Boys” and “Fragile Things,” a collection of stories.

Cool enough to drive this man to drink...


Bottoms Up!!!

Thursday, November 02, 2006

Writers write.

Writers write. It really is that simple. That being said, I have to admit that I feel myself struggling right now. My head is bursting with ideas, and I have several shorts, novellas, and even a couple of novels in the beginning stages... but I find that time, and quite frankly, time management is failing me.

I long to just lose myself in verse, to unfetter the words, letting them to dance upon the page and lead me to wherever they will. But time...

Work is not the bastion that it once was... increasing responsibilities there are keeping me unfocused. And I'm putting in near 50 hours a week. Now, my wife is working more hours as the holiday season rears its ugly head and my son and I spend our evenings in play.

This blog is not about my failure to tackle my problems, but an affirmation and a recognition. Writers write. Time to find a way through this dark forest and embrace that which I know in my heart is my True Will Manifest.

Writers write, dammit. Bury the excuses in the backyard next to the excess baggage and get on with it Freeman. There is a blank page waiting and stories began that need finishing and new ones begging for release.

Writers write...

I guess it's time to let the fingers fly and the muse to soar.

After all, I am a writer... that's what we do.