Saturday, January 28, 2006

Help save an important part of our past!!!

I just received this urgent message from Steve McNallen:

Thornborough is a 5,500 year-old ceremonial causeway and monument complex in England. It remained intact until after World War Two, when quarrying in the area expanded. News reaching the AFA indicates that a decision affecting the future of Thornborough will be made on or about February 3rd! This is only a few days away, so we will have to move quickly!

Tarmac, the company quarrying in the area, has applied to the NorthYorkshire County Council for expanded operations in ways that will threaten the integrity of the site and damage an irreplaceable center of Britain's prehistoric heritage. The proposed new quarry will destroy the only known Neolithic settlement linked with the Thornborough Henges. This is a mighty complex of three 240m earthcircles and many other monuments that cover more than 2 sq. miles.

This is potentially the largest religious site ever built in Britain.

The three henges are laid out like Orion's Belt and BBC TV Time Flyers filmed it, presenter and leading archaeologist Dr Mark Horton said they were the largest earth moving exercise in pre-history and that this was the worlds earliest known monument aligned to the stars.

Details on the site and its defense can be found at http://www.TimeWatch.org.

Due to the little time we have to respond, letters mailed from the US and Canada are not likely to arrive in time to do any good. We urge you to fax the North Yorkshire County Council at:
(44) 01609 778199.

Be polite but passionate!

Friday, January 27, 2006

ROBERT E. HOWARD

From the Washington Post 01/22/06:

Today marks the 100th anniversary of the birth of Robert E. Howard (1906-1936), the creator of a blue-eyed Cimmerian fighting man, who wandered the ancient Hyborian age as a thief, pirate and mercenary, before finally seizing the royal throne of Aquilonia. In the course of many adventures, this axe and sword-wielding battle-machine was to encounter Stygian demons, a lonely being from another planet, vampiric witches and saturnine sorcerers who possess the elixir of life, a seraglio's worth of scantily clad slave girls, more than one haughty but secretly hot-blooded princess, and, not least, many, many, indeed hordes, of bloodthirsty, blood-crazed Picts, Kushites, Shemites, Vendhyans and Hyrkanians. Even more remarkably, this indomitable warrior earned the love of both Belit, the notorious corsair Queen of the Black Coast, and the deadly Valeria of the Red Brotherhood. Such a hero could obviously be no one but Conan, King Conan, Conan the Barbarian.

To most of us these days, Robert E. Howard's Cimmerian is rather a joke. During the 1970s, the Depression-era hero evolved into a comic-book icon and was later literally embodied by the young Arnold Schwarzenegger in a pair of exceptionally good sword-and-sorcery films. Soon thereafter appeared both the bookish Conan the Librarian and Terry Pratchett's mangled and bitter old bandit Cohen the Barbarian. Many an older reader must still recollect the Frank Frazetta paperback covers, top-action portraits of a massive half-naked fullback with a broadsword, either in full berserker fury or standing triumphantly upon a mound of dead enemies, his mighty thigh caressed by an adoring Playmate of the Month. Or two. Of course, none but the brave deserve the fair.

Are the tales of Conan then what a female friend would call "boys books"? Testosterone-driven daydreams for 15-year-olds? Pulp schlock with titillating suggestions of sadomasochism, rape and sapphism? (Many of the stories were originally illustrated for Weird Tales by the legendary Margaret Brundage, who specialized in kinky cover art.) The answer to all these questions is, obviously, yes.

Yet without making grandiose claims for them, Howard's Conan chronicles are also a bit more than that. They are, as Patrice Louinet demonstrates in his forewords and afterwords to these three volumes, studies in the clash of Barbarism and Civilization. In Howard's grim and all too realistic view, the barbarians are always at the gate, and once a culture allows itself to grow soft, decadent or simply neglectful, it will be swept away by the primitive and ruthless. As a character insists in "Beyond the Black River," the most deeply felt and complex Conan story, "Barbarism is the natural state of mankind. . . . Civilization is unnatural. It is a whim of circumstance. And barbarism must always ultimately triumph."

To Howard, however, this isn't wholly a bad thing. As King Conan plaintively confesses to his friend Prospero, "These matters of statecraft weary me as all the fighting I have done never did. . . . In the old free days all I wanted was a sharp sword and a straight path to my enemies. Now no paths are straight and my sword is useless." In essence, Conan is a creature of the wild -- he is frequently likened to a wolf or tiger -- and his understanding of the world is simple, instinctual, unmediated. While others hesitate or plan and speculate or find themselves trapped by their social positions or tangled in the snares of bureaucracy, Conan acts. Fear, doubt, uncertainty -- these never trouble his nobly savage breast. He does what needs to be done, by Crom, no matter how daunting the task. And afterwards he quaffs his wine and moves on.
Conan's greatest affinity is obviously with the Western gunfighter of our imaginations, the quiet drifter like Shane or Cheyenne who one day rides into town and then, after a final gun-blazing showdown, rides off into the sunset. Before his suicide at the age of 30, Howard attempted every sort of adventure story -- horror ("Pigeons from Hell" is ludicrously titled but chilling), detective and occult fiction, sports narratives and Westerns. "Beyond the Black River" reads like a tale of settlers and rampaging Indians transposed to the borders of bronze-age Aquilonia. After all, when a plot failed to sell to one market, a serious pulp writer simply reworked it for another.

Unfortunately, this cavalier attitude was carried on by Howard's executors. When Conan was rediscovered in the '60s and '70s, writers were hired to mine his drafts for new stories. His published exploits were filled out and the chaotic Hyborian Age turned into a realm as carefully designed as Narnia or Middle Earth. Howard's energetic (if sometimes corny) writing was heavily edited and smoothed out. Eventually, though, these additions and pastiches came under attack as collectors and scholars like Glenn Lord and Karl Edward Wagner began to republish the original texts. That process has now been crowned by these authoritative editions of all the Conan stories, supplemented with their author's outlines and synopses, maps, letters and essays, as well as appendices on the location of surviving typescripts and much interpretative material by editor Louinet and series editor Rusty Burke. (There are additional compilations devoted to Howard's Puritan sword-slinger Solomon Kane and the Celtic warrior Bran Mak Morn but not yet of the Conan precursor, Kull.) These three volumes are individually illustrated, but each artist aims to be faithful, in his fashion, to Howard's descriptions of the formidable Cimmerian.

I've read most of the Conan stories, as well as the novel (included here) The Hour of the Dragon , and, approached as guilty pleasures, they can be wonderfully entertaining. For that matter, apart from Fritz Leiber's tales of Fafhrd and the Gray Mouser, sword and sorcery adventures don't come any better. Still, one must make allowances. Howard's writing can be cliché-ridden ("The Cimmerian froze in his tracks. It was no image -- it was a living thing, and he was trapped in its chamber!"). And there's undisguised racism: The darker an enemy's skin, the more vicious and animalistic his nature. Perhaps most disturbingly, Conan glorifies the Gordian Knot solution: The proper response to a complex problem is to grab a sword and brutally hack away until the problem stops moving. Some naive readers might imagine that such a policy actually works in the real world.

In general, Howard's plots involve a quest of some kind -- for treasure, for revenge -- and culminate in a fight with a witch or wizard, who is usually aided by hypnotic powers, magic talismans and demonic pets. Hidden tunnels and crumbling temples abound. Evil magic is always in the air:

"Ships did not put unasked into this port, where dusky sorcerers wove awful spells in the murk of sacrificial smoke mounting eternally from blood-stained altars where naked women screamed, and where Set, the Old Serpent, archdemon of the Hyborians but god of the Stygians, was said to writhe his shining coils among his worshippers."

In the cruder stories a lissome young woman is nearly always threatened, often drugged by the sickly sweet Black Lotus and led zombie-like, but eye-catchingly unclothed, to some fate worse than death. In "Black Colossus" an undead wizard sends his shadowy familiar into the chamber of a virgin princess, where the repulsive creature unctuously hisses its master's obscene prophecies: "But thou shalt be my queen, oh princess! I will teach thee the ancient forgotten ways of pleasure."

No matter how hopeless the outlook, Conan himself never gives up, never tires, somehow always survives. In "A Witch Shall Be Born" the warrior is actually crucified and as he hangs on a cross the vultures circle round him, one in particular:

"Conan drew his head back as far as he could, waiting, watching with the terrible patience of the wilderness and its children. The vulture swept in with a swift roar of wings. Its beak flashed down, ripping the skin on Conan's chin as he jerked aside his head, then before the bird could flash away, Conan's head lunged forward on his mighty neck muscles and his teeth, snapping like those of a wolf, locked on the bare, wattled neck. . . . Grimly he hung on, the muscles starting out in lumps on his jaws. And the scavenger's neck bones crunched between those powerful teeth. With a spasmodic flutter the bird hung limp. Conan let go, spat blood from his mouth."

To my mind, the longer works reveal Howard at his best. In "The Hour of the Dragon" Aquilonia is conquered by magic, but in battling to regain his lost throne Conan learns better to understand and appreciate his adopted country, as well as his duties as its ruler. In "Red Nails," the last Conan story he wrote before his death, Howard presents an in-bred civilization that has degenerated into a never-ending, generations-long guerrilla war between rival factions inside a single gigantic castle. Its Grand Guignol conclusion dramatizes the Freudian phrase "the return of the repressed" and leaves but one man standing. As with so many of the Conan stories, the overall mood is one of sorrowful wonder at the insane ways of men.

Conan is still a young wanderer in "Red Nails," only dreaming that one day he might become a king. Yet since Howard never bothered to publish the Conan stories in any particular order, readers already know from his very first appearance in "The Phoenix on the Sword" that the Cimmerian will realize his ambition. Indeed, from the beginning he strides out of the pages of the so-called Nemedian Chronicles , already the stuff of modern myth:

"But the proudest kingdom of the world was Aquilonia, reigning supreme in the dreaming west. Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet." ·

Michael Dirda is a book critic for Book World. His e-mail address is mdirda@gmail.com, and his online discussion of books takes place each Wednesday at 2 p.m. on washingtonpost.com.

Tuesday, January 24, 2006

Two Autumn Moon Reviews

First the Bad:

Reviewed by Bloody Mary for Horror Web

Okay people, this one’s going to hurt. Why? Cause I asked for this story and because I couldn’t wait to read it. Now, now, don’t give me that look. I know what you’re thinking - I haven’t posted much in a month - but hey, I have a life too, you know. Anyway, back to the point I was trying to make before your eye-roll rudely interrupted me, I was really looking forward to reading this story. Yes, even though it was a short story and really just an introduction to the full-length book Freeman has out, I was anxious to get my hands on it. And now, well now I just feel sad, confused, and a little lost. Why, you ask? Because I hate when my anticipation is all for nothing. You know what I mean?

Before we even get to the basic criteria and the numbers it may or may not accumulate, let me first tell you this: this story is free. Yes, that’s right, free. So, rather than judging whether you should buy it or not, I’ll be helping you decide whether to either sit at the computer and read it or just pretend it doesn’t exist. Good times.

Now, lets get started, shall we? While the plot itself is not a new one, the direction Freeman takes it is …entertaining. Yes, there are a few thousand stories about a teen witch, her cousin the werewolf, and their aunt – the instructor. And even though you may think that’s too many monsters for one story, let me add that there are even a few zombies thrown in here for good measure. Hey, at least there aren’t any vampires. But while this combination may be fun for a few minutes, it loses its amusement rather quick. And let me tell you, that’s pretty bad considering it’s only 13 pages.

The problem? The story was rushed, lost focus a few times, and skipped ahead without even a sign or a map to assist you. Which is sad, considering the fact that I think Freeman had a lot of good ideas and storylines to pursue, but he kept getting sidetracked.

My opinion? This is an author that needs the freedom of a few hundred pages to really get in to the groove of his creativity.

And that leads me to the next problem – Freeman’s style of writing. The narration constantly switches from an adult’s perspective to a child’s – it’s frustrating. The dialog alternates between modern day, 18th century, and the early 1920’s. Also, after adding up all the $.10 words that even I had to look up, Freeman now owes me $1.60.

Now I know it’s rude to expect a free story to be edited, but come on. It’s called Microsoft Word, people!! There were misspellings, words used more times than necessary, run-on sentences, fragmented sentences, and commas that were M.I.A. Considering the fact that Renfield loved Freeman’s novel, Shadows Over Somerset, I’m just going to assume he has a good editor; they just weren’t apparently asked for their take on this story.

Since this is a short story, I am not going to judge character and atmosphere. What I will say is that, with many more pages and a lot more room to exercise his talent, I think they have a good chance of being three-dimensional. I also think with more space, the pace wouldn’t be as rapid and careless.

My rating? I give it a 2. If you’re bored one day with absolutely nothing to do, all the message boards are dead, and you’re in the mood for a cute young adult story, check it out.

And now for the Good:

Reviewed by Louise Bohmer

When it came time for chapter six of Autumn Moon and the Book of Secrets, I will admit I waited a bit to read this final installment. Why? I was a bit reluctant to see Autumn's tale end so soon.

I've said this before I am sure, but, truly, no one writes Gothic horror (or Gothic Romance as Bob describes it on his blog) like Mr. Freeman. He presents, in my opinion, the hope for revival of this much underrated sub-genre of horror.

Really, horrorfans, if you know your literature, you also know that, in many ways, you can thank the first Gothic novels of the Romantic Era for the horror you so love today. Yet this sub-genre, or more aptly put birth-genre, of horror gets very little respect. Well, pick up a copy of Autumn Moon and the Book ofSecrets and also Shadows Over Somerset by Bob Freeman. I guarantee, you will find a new respect for Gothic horror.

And if you are already a fan of dark, brooding mansions, long-held familysecrets, the supernatural intermingling with the mistof gloomy, thrilling atmosphere, you will quickly become a fan of Mr. Freeman's writing when you open the pages to either of his works listed above.

I don't want to give away too much of the ending ofAutumn Moon, but, needless to say, I was not expecting the turn this tale took. Bob builds an atmospheric climax that pulls you deep into the thread of the story, and when the end comes, you too will ponder thefuture of Autumn, Aunt Astrid, Sebastian, and Cassie.

These characters, in particular Autumn, will linger in your head long after you've read the last words, and put the light out for the night. I know I eagerly await the next tale that takes me into the world ofAutumn Moon.

Saturday, January 21, 2006

Another Review of the Occult Tradition

Most historians have never heard of the 16th and 17th century Hermetic Philosophers. Neither have most scholars of religion or science - or if they have, they ignore them as an embarrassment. They were the top scientists of their day throughout Western Europe, and they also studied astrology, alchemy, Kabbalah and magic. They were the real-life counterparts of the original fictional Rosicrucians.

As historian Frances Yates wrote of the term Rosicrucian, it "represents a phase in the history of European culture which is intermediate between the Renaissance and the so-called scientific revolution".

These were not minor figures. Isaac Newton devoted far more time and energy, and wrote thousands more pages, on alchemy, biblical prophecy and esoteric interpretation of the measurements of the pyramids than he ever did on light and gravity.

In The Occult Tradition, David S Katz starts with the Hermetic Philosophers and the largely ancient sources of their beliefs: Neo-Platonism, Gnosticism, the writings attributed to the mythical Greek/Egyptian philosopher Hermes Trismegistus, and Jewish mysticism. He does a good job in emphasising the importance of both the beliefs and believers. Paracelsus, the 16th-century alchemist, mystic and physician, was not only the first proponent of homoeopathy, but invented the painkiller laudanum and the anaesthetic ether.

In places Katz wanders up some unlikely side-paths. One chapter is devoted to the Freemasons, Swedenborgians and Mormons. Freemasonry, in its beliefs, symbolism and ritual, is very clearly part of the same esoteric tradition as Hermetic Philosophy, but the author's arguments are really straining on the other two.

The 19th century is largely represented by Spiritualism, hypnotism and the birth of psychoanalysis - again, their connections with the Occult tradition are somewhat stretched. Unbelievably, he devotes one paragraph each to the French occultist Eliphas Levi, the Hermetic Order of the Golden Dawn, and "the Great Beast" Aleister Crowley, between them the most crucial influences on present-day esotericism. They took the ideas of the Hermetic Philosophers and developed them in line with 19th century scientific beliefs, and that development continued through the 20th century.

The author has very odd views about precisely where Occultism resurfaced in the 20th century. Because of the emphasis on supernatural events - miracles, healings, the Second Coming - he finds the Occult within American Fundamentalist Evangelical Christianity. (Does he want to be lynched?) Many scholars might agree that the current emphasis on casting out demons in theatre-sized Fu mdamentalist churches is more primitive superstition than Christianity, but that isn't Katz's point. Most of his recent books, including the excellent Messianic Revolution, co-authored with Richard H Popkin, have been on apocalyptic Christianity. It is probably natural that he should draw this into the current book. But it is not what Katz includes that is the problem, so much as what he ignores. In three pages at the end he finally touches on New Age philosophy, and spends two lines on "neopaganism, including ritual magic and the Wicca movement".

In America, Western Europe and especially in Britain, Neo-Paganism and ritual magic are a rapidly growingpart of the religious scene. Figures from the 2001 UK Census reveal that, with a total of some 40,000 adherents, the various Pagan religions of Wicca, Druidry and the Northern Tradition make up the seventh largest religious grouping in Britain, after Sikhism and Buddhism.

Occult or esoteric beliefs always reflect and in some cases influence their times, and Katz is good at showing their changing backgrounds. But in concentrating so hard on the background he consistently misses the foreground.

Today's Neo-Pagans and other esoteric practitioners are the direct descendants of the Hermetic Philosophers to whom Katz devotes the first (and by far the best) third of his book. These people, rather than the tortuous arguments the author indulges in, should be the culmination of his book.

Wednesday, January 18, 2006

Wolves of Wintered Night

I'm pleased to announce a work in progress.

Co-written with historical romance novelist Joy Ann Harber, Wolves of Wintered Night is the story of Shelby Lynn Ayers. The daughter of the US Ambassador to the Soviet Union, a vicious attack in the wilds of the Russian frontier left her orphaned and alone. Rescued by a German expatriate and raised for seventeen years in feral lands on the edge of civilization, Shelby was returned to the world and a family that had given her up for dead, her benefactor disappearing into the untamed back country that had once been her home. Five years pass. Shelby earns a University degree in Abnormal Psychology and settles down on her family's ranch in southern Indiana. She is on the path to finding her place in the world when a mysterious letter from the man who raised her lures her back to Mother Russia and her date with destiny.

Friday, January 13, 2006

Impaler sinks his teeth into governor's race

Self-styled "vampyre" Jonathon Sharkey is running for governor on a platform that includes impaling terrorists.

Dane Smith, Star Tribune

Looking for something really, really different in a political candidate this year?

Take a gander at Jonathon (The Impaler) Sharkey, who will launch his gubernatorial campaign in Princeton, Minn., on Friday the 13th as a "satanic dark priest" and the leader of the "Vampyres, Witches and Pagans Party."

Since there's nothing but a $300 filing fee to stop anyone from running for statewide office, campaigns in Minnesota typically attract colorful and eccentric characters looking for attention. And of course, former Gov. Jesse Ventura broke the mold and got elected. But Minnesota may never have seen a more outside-the-box politician than the Impaler, also a former pro wrestler.
For starters, he describes himself as a "sanguinary vampyre ... just like you see in the movies and TV, I sink my fangs into the neck of my donor (at this time in my life, it is my wife, Julie), and drink their blood," he said in an e-mail.

The 13-point platform on his extensive website (www.jonathonforgovernor.us) offers a number of conventional policy initiatives, including emphasis on education, tax breaks for farmers and better benefits for veterans.

Quite some distance from the mainstream, however, is his pledge to execute -- by impalement in front of the State Capitol -- terrorists, rapists, drug dealers, child abusers, repeat drunken drivers and anybody who preys on the elderly.

"I'm going to be totally open and honest," he said. "Unlike other candidates, I'm not going to hide my evil side."

Sharkey's religious convictions also might be described as well removed from the middle of the road. Call it compassionate Satanism. "On a whole, those who worship Lucifer are no more evil than those who worship other gods," he says on his website.

Although he calls the "Christian God the Father" his "mortal enemy," Sharkey said he has nothing against Jesus Christ or his followers. But he thinks God the Father was a poor parent for allowing his son to be crucified.

Sharkey, 41, is receiving veterans' disability benefits because of a severe injury in the Army in 1982. On a high-altitude jump while training as a paratrooper, he says, his main parachute failed and the reserve chute opened just before he hit the ground "like a ton of bricks."

He has registered as a 2008 presidential candidate with the Federal Election Commission and says he soon will register with state campaign officials as a gubernatorial candidate.

~Dane Smith
©2006 Star Tribune. All rights reserved.

Friday the 13th

So, just where did this Friday the 13th mumbo-jumbo originate anyway?

One of the earliest concrete taboos associated with the number 13 — a taboo still observed by some superstitious folks today, apparently — is said to have originated in the East with the Hindus, who believed, for reasons I haven't been able to ascertain, that it is always unlucky for 13 people to gather in one place — say, at dinner. Interestingly enough, exactly the same superstition has been attributed to the ancient Vikings, though I have also been told that this and the accompanying mythological explanation are apocryphal. In any case, the story has been handed down as follows:

Loki, the Evil One?

Twelve gods were invited to a banquet at Valhalla. Loki, the Evil One, god of mischief, had been left off the guest list but crashed the party, bringing the total number of attendees to 13. True to character, Loki raised hell by inciting Hod, the blind god of winter, to attack Balder the Good, who was a favorite of the gods. Hod took a spear of mistletoe offered by Loki and obediently hurled it at Balder, killing him instantly. All Valhalla grieved. And although one might take the moral of this story to be "Beware of uninvited guests bearing mistletoe," the Norse themselves apparently concluded that 13 people at a dinner party is just plain bad luck.

As if to prove the point, the Bible tells us there were exactly 13 present at the Last Supper. One of the dinner guests — er, disciples — betrayed Jesus Christ, setting the stage for the Crucifixion.

The Witch-Goddess

The name "Friday" came from a Norse deity worshipped on the sixth day, known either as Frigg (goddess of marriage and fertility), or Freya (goddess of sex and fertility), or both, the two figures having become intertwined in the handing-down of myths over time (the etymology of "Friday" has been given both ways). Frigg/Freya corresponded to Venus, the goddess of love of the Romans, who named the sixth day of the week in her honor "dies Veneris."
Friday was actually considered quite lucky by pre-Christian Teutonic peoples, we are told — especially as a day to get married — because of its traditional association with love and fertility. All that changed when Christianity came along. The goddess of the sixth day — most likely Freya in this context, given that the cat was her sacred animal — was recast in post-pagan folklore as a witch, and her day became associated with evil doings.
Various legends developed in that vein, but one is of particular interest: As the story goes, the witches of the north used to observe their sabbath by gathering in a cemetery in the dark of the moon. On one such occasion the Friday goddess, Freya herself, came down from her sanctuary in the mountaintops and appeared before the group, who numbered only 12 at the time, and gave them one of her cats, after which the witches' coven — and, by tradition, every properly-formed coven since — comprised exactly 13.

The Knights Templar

One theory, most recently propounded in the novel "The Da Vinci Code," holds that it came about not as the result of a convergence, but a catastrophe, a single historical event that happened nearly 700 years ago. The catastrophe was the decimation of the Knights Templar, the legendary order of "warrior monks" formed during the Christian Crusades to combat Islam.

Renowned as a fighting force for 200 years, by the 1300s the order had grown so pervasive and powerful it was perceived as a political threat by kings and popes alike and brought down by a church-state conspiracy, as recounted by Katharine Kurtz in "Tales of the Knights Templar" (Warner Books: 1995):

"On October 13, 1307, a day so infamous that Friday the 13th would become a synonym for ill fortune, officers of King Philip IV of France carried out mass arrests in a well-coordinated dawn raid that left several thousand Templars — knights, sergeants, priests, and serving brethren — in chains, charged with heresy, blasphemy, various obscenities, and homosexual practices. None of these charges was ever proven, even in France — and the Order was found innocent elsewhere — but in the seven years following the arrests, hundreds of Templars suffered excruciating tortures intended to force 'confessions,' and more than a hundred died under torture or were executed by burning at the stake."

Germanic Mystery Circle

Germany reopens 6,800-year-old mystery circle

BERLIN - At the winter solstice this past year, Germany opened a replica of a mysterious wooden circle that is believed to be a temple of the sun built by a lost culture 6,800 years ago.
The circle of posts, in a flat river plain at Goseck south of Berlin, has mystified scientists since its discovery in 1991 by an archaeologist studying the landscape from the air. An excavation found post holes and what may be the remains of ritual fires.
Goseck has been dubbed the German Stonehenge, though it is twice as old as the Stonehenge megalithic circle in southern England and has no stones. The original wood rotted away long ago, but new palisades, or wooden walls, were constructed
at Goseck this year.
In a public works scheme, 2,300 oaken poles were erected in a circle on the same site over a seven-month period, with gateways opening to the points of the compass where the sun rises and sets on December 21.
There are now two concentric wooden palisades, each 2.5 metres high, as well as a ditch and an earthen wall.
A winter solstice festival with flaming torches and laser lights for an audience of thousands took place as the sun set over the southwest gate of the 75-metre-diameter circle. It is scheduled to be an annual event.
The Goseck Circle was apparently erected by Europe's first civilization, long before the cultures of Mesopotamia or the pyramids of Egypt, and is one of the best studied of 150 monumental sites arrayed through Germany, the Czech Republic, Austria and Slovenia.
Each comprises four concentric rings of earth and wood, indicating a common culture using a standard design.
The realization that a very early European farming people built such vast sites has arrived in little more than a decade. Textbooks that assume late Stone Age Europe was far more primitive than the Middle East must be rewritten.
Archaeologists know nothing of the appearance or language of the people and can only surmise about their religious beliefs. The culture is known only as that of stroke-ornamented ceramic ware, from fragments of pottery it left.
The jars and bowls had their decoration jabbed into the soft clay with a kind of fork to form zig-zag lines. The whole period of stroke-ornamented pottery is limited to 4900 to 4650 BC.
The Goseck Circle is claimed to have been a sort of calendar that told the people farming the fertile plain when it was time to begin counting the days till spring planting. But it may also have served as a marketplace and a place of refuge in times of war.
Francois Bertemes, who heads the prehistoric archaeology institute at nearby Halle-Wittenberg University, claims the site marks the start of world astronomy and surmises that it was a place of fertility rituals that would have included weddings.
Excavation of the 6,000-square-metre site found two "sacrificial" pits containing fragments of human bone. There was evidence of a very hot fire in both, but the ash had been removed, which Bertemes sees as a sign that humans were sacrificed.
The dig also turned up hundreds of pottery fragments and cattle bones.
Bertemes' views remain controversial.
Christoph Heiermann, spokesman for the Saxony state archaeological service, said this year that the purpose of the quadruple enclosures, which inspired his agency's new four-ring publicity logo, is still unknown.
"We prefer to just speak of central places where people gathered. We don't know what they did there. Maybe they were temples. Or markets," he said. The scientific community had not yet accepted that Goseck was an observatory.
Bus tours of Stone Age and Bronze Age sites are already coming through Goseck, which is only 25 kilometres from the German town of Nebra, where an extraordinary bronze-and-gold map of the heavens dating from 3,600 years ago was discovered in 1999.

Wednesday, January 11, 2006

We have a Winner!!!


Congratulations to the winner of the Autumn Moon and the Book of Secrets contest. Our winner correctly answered the three questions posed (1. New Castle 2. Limestone 3. Angela Conley) and will be receiving:

1. A signed and numbered chapbook of Autumn Moon and the Book of Secrets. Only 5 of these were printed so it is an instant collectors item.

2. An Autumn Moon and the Book of Secrets magnet.

3. A signed Cairnwood Manor: Shadows Over Somerset postcard

4. Four brand new paperbacks from the realm of paranormal romance, including Carrie Vaughn's Kitty and the Midnight Hour and Vickie Taylor's Carved in Stone.

Thanks to everyone who entered. Visit www.cairnwood.net for updates on future Autumn Moon stories and www.cafepress.com/cairnwood for Cairnwood Manor and Autumn Moon collectible merchandise.

And now, without further adeu, the winner of the Autumn Moon and the Book of Secrets contest is...

Donna DeBiase
Congratulations Donna, I hope enjoy the spoils of your victory.
And again, thanks to everyone who read Autumn Moon.
I hope that in reading about Autumn you got a sliver of the enjoyment
that I did from writing about her.
~Bob

Tuesday, January 10, 2006

Autumn Moon: the Contest


We have a winner!!! After receiving 39 entries and 37 correct responses a winner has been drawn from the magical, mystical Sorting Hat. Tune in tomorrow at noon for the official announcement.

And thanks to everyone that entered.

Monday, January 09, 2006

Happy Birthday James Patrick Page...

from wikipedia: James Patrick "Jimmy" Page OBE, (born January 9, 1944 in Heston, Middlesex, England) is widely considered one of the greatest and most influential guitarists in rock and roll. He was a founding member of Led Zeppelin and, prior to that, a member of The Yardbirds from late 1966 through 1968. Before these two groups however, Page had been one of the most in-demand studio guitarists in England since a teenager.

One of my "idols" since childhood, Jimmy Page's fiery guitar work and the sense of awe and mystery he cloaked himself in placed him as one of the most influential figures in my life. Not only did Page open up the world of music to me, but he helped to inspire my study of Aleister Crowley and ceremonial magick.

Happy 66th Birthday, Jimmy Page... thanks for the inspiration and the awesome catalogue of music you've given us.

Rock on...

Sunday, January 08, 2006

Robert E. Howard Centennial

FOR IMMEDIATE RELEASE - JANUARY 06, 2006

ROBERT E. HOWARD 100th BIRTHDAY CELEBRATION

FORT WORTH, TX - Robert E. Howard was the first great fiction author born and bred in Texas. He is now considered an inspiration to a who's-who of modern horror and fantasy fiction writers and illustrators.

On January 21 2006, from 2-5PM, the 100th anniversary of his birth will be celebrated in Fort Worth, Texas. An open mic will be available, and various people will be reading excerpts from the vast range of REH works, from Sword & Sorcery (REH was the creator of Conan the Barbarian, and generally considered the godfather of the entire genre), to horror, fantasy, boxing, westerns, humorous, pirate, and historical adventures.

Excerpts from letters will also be presented, as REH tells others about his love of Texas, the creation of his characters, and his views on the times he lived in.

And various poems from his extensive portfolio of over 700 works will be presented. REH was a master poet, and skilled at all the various forms in which he worked.

Guests are invited to participate, reading either their own favorite excerpts and verses, or serving as a reader of material that will be provided to them there. Or just come and listen.

The event will be at The Black Dog Tavern, recently moved to 2933 Crockett, just a block east and south of the intersection of 7th and University in the city of Fort Worth.

Admittance is only $5/head with all proceeds benefiting the town of Cross Plains, TX, a small ranch and farm community in West Texas (and REH's hometown) that was recently consumed by wildfires, with over 100 homes destroyed. Books will be on sale, there will be door prizes and various scholars and editors will be on hand to sign books. Your envoy for the afternoon will be Paul Herman, a somewhat wizened and knowledgeable character familiar with the works of he who shall be honored, toasted and commemorated. Other REH editors and scholars will be on hand as well to sign books, answer questions and discuss topics of interest.

If you are unfamiliar with Howard's work or would like to get to know it better, this is the perfect opportunity to meet people and fans that will happily tell you everything they know about this true Texas legend. There's a lot more to him than you think.

The Robert E. Howard 100th Birthday Celebration:

Saturday, January 21, 20062:00 - 5:00 PM

The Black Dog Tavern2933 Crockett (new location)
Fort Worth, Texas
$5.00 Per Person - All Proceeds will go the Cross Plains Fire Relief Fund, to benefit the city of Cross Plains, TX, home of the Robert E.Howard Museum
For More Information - Contact Paul Herman @ 972-418-3571, or paul.herman@halliburton.com

Saturday, January 07, 2006

Autumn Moon Contest

The Autumn Moon contest will end Monday, January 9 at 11:59 pm and the winner wil be posted on Wednesday, January 11 at 12:00 noon.

Good luck to everyone that is taking part.

93

What follows is 90% rubbish, intermixed with a dash of truth... certainly it is slanted against the Master Therion. As dispicable as the article is, knowing Crowley, he would have relished in the bad press...

From the Daily Mail
(Friday, January 6, 2006)
by Glenys Roberts

The workmen demolishing one of central London's Victorian buildings were edging their way along the dark corridor. Above them was the familiar rumble of Christmas rush-hour traffic, but down below where they were working, the crumbling brick vault was suddenly lit up by an eerie light. Nervously, they'd peered into the dim void -- only to see something so sinister and unexpected that even their foreman, a civil engineer, turned ghastly white. For among the rubble was a human skull illuminated by a flickering candle — and beside it, a pile of twigs arranged in the shape of a pentacle, the five-pointed star that is the ancient and powerful symbol of witchcraft. This bizarre incident took place recently in the capital's legal district, an area usually associated with cold reason and logic. Unbeknown to the men working on site, they were demolishing a building which had once been home to a coven led by the notorious Aleister Crowley, known as the Beast 666, the Devil's Disciple.

Crowley was one of the most infamous figures of the 20th century. Said to have been born with the sign of the swastika on his chest, he became a notorious satanist who claimed he could commune with the devil in drug-induced trances. He went on to found a polygamous religion indulging in animal sacrifices and sexual abuse, and was so promiscuous and uncaring that at least five of his many mistresses committed suicide. His best-known exploits took place in the 1930s in Sicily where he founded an 'abbey' dedicated to the devil. However, connoisseurs of his evil reputation know that there are sites in Britain associated with the so-called wickedest man on earth. Most famous is Boleskine House on Loch Ness where Crowley lived at the end of the 19th century. But few people realise that Crowley was also associated with the office building in London's Chancery Lane, which is being redeveloped into modern flats, shops and offices. Indeed, until the bulldozers moved in, the four-storey block which is part of the Earl of Radnor's estate, had a prestigious reputation, inhabited as it was at street level by a number of friendly boutiques including Thresher and Glenny, the Queen's shirtmaker who have held a Royal patent since 1783. Up above, there were offices. But there were also residential flats, one of which was the home of the young Crowley when he first came down from Cambridge in 1898.

In fact it was in this flat, where according to visitors an intense atmosphere of evil prevailed, that his sinister interest in the occult first gelled. So were the mysterious skull, candle and pentagram that appeared in the vaults recently arranged there in some act of misplaced homage? Could it really be true that there are still those today who follow his dark rituals and who are drawn to this site as an act of satanic pilgrimage? Could there perhaps be some malign paranormal force etched into the building's very fabric?

Born in Leamington in 1875 to a wealthy brewing family who were Plymouth Brethren, the future satanist was named Edward after the father he came to adore. But Edward senior died of cancer when the youngster was 11, an experience so traumatic that Crowley lost all interest in the family's religion. The boy hated his pious mother who sent him to a series of public schools, including Malvern where he was mercilessly bullied because he was fat. Having persuaded her to remove him by claiming he was being sexually abused, he was given a home tutor who, despite being a former Bible Society missionary, introduced him to such worldly pursuits as billiards, betting and cards. When he took Crowley to Torquay, the boy lost his virginity at the age of 15 to a young actress. And when his horrified mother learned of this she labeled him the 'Beast'.

In 1895, Crowley, by now calling himself Aleister because of its Celtic overtones, went to Cambridge University to read moral sciences. Instead of studying, however, he boasted he spent his time on sexual experimentation. Leaving three years later without a degree, he used his considerable family inheritance to take a flat in the neo-classical building in London currently being excavated, signing the lease with one of the many aliases he loved to use -- Count Vladimir Svaroff. The flat in Chancery Lane with its long corridors in an area of London full of medieval resonances, was perfect for the budding satanist who was fast making it his mission to dispel Victorian hypocrisy by any means he could. Crowley had just been introduced to the Hermetic Order of the Golden Dawn, a mysterious masonic society which claimed to possess arcane truths handed down to the modern world from ancient Egypt. He soon became an initiate, taking the name of Brother Perturabo, meaning: 'I will endure'. But Crowley rapidly came to despise his fellow brethren - who included the Irish poet W B Yeats - because of their timid approach to magic. Determined to conduct bolder experiments into the supernatural, he took his as his personal instructor an impoverished magician called Alan Bennett whom he invited to stay with him. And so a period of intense magical activity began, based on the invocations of a medieval German magician, called Abramelin. Crowley and his followers believed that they could summon the spirits of the dead, through animal sacrifice and pagan rituals. Piecing together Crowley's writings and those of the impressionable acolytes that visited the place Crowley's day, we have a good idea what the flat looked like, not to mention the sinister things that went on inside.

The visitor passed from the cold stone dusk of the stairs to a palace of rose and gold that has long since vanished. Gold-black Japanese wallpaper covered the rooms and the place was lit like a brothel by an ancient silver lamp with a red bulb. The floor was covered with leopard skins and on the wall there was a huge crucifix in ivory and ebony. There were two temples, one to good, the other to evil. In Crowley's 'Black Temple', actually more of a cupboard, a blood-stained skeleton sat before an evil altar, made of a round table supported by the figure of an ebony negro standing on his hands. On the altar a sickening perfume smouldered in a container and one visitor claimed the stench of previous blood sacrifices filled the air. In his delusions Crowley used to feed the skeleton blood, small birds and beef tea in the hope of reviving it.

No wonder people were afraid of him.

It was said that in the streets horses reared at his approach and that he was imbued with so much magical power that his coat once burst into flames. In order to create real magic, Crowley believed he needed the use of a large remote country house with a terrace at the door facing north, the best direction in which to create a spell. In Boleskine, in northern Scotland, he found the perfect house in the perfect spot. He fell in love with it and having inherited nearly £5 million pounds in today's money immediately bought it. There he claimed he invoked at least 100 spirits. But he soon parted company with the rest of the followers who wanted to use magic for good rather than evil.

Yet still he had not reached the depths of his malign life. That began on a visit to Paris in 1903 when the 28-year-old magician looked up his old university friend, the portrait painter Gerald Kelly, and within a short time had married Kelly's widowed sister, Rose. The couple embarked on a lengthy honeymoon to the Far East and soon Rose was pregnant. But the happiness was short-lived. Crowley hated women so much that he used to say that they should be brought round to the back door like the milk deliveries, and he was soon given to regularly stringing his naked wife up in the cupboard. History does not relate how or why - but it was probably due to a combination of his misogyny, sadism and belief in black magic. Still honing his evil persona, he now claimed to have had a vision of himself as the new Messiah, saying he had received a message from an angel called Aiwass who told him he was the herald of a cult which would have its own Bible, the Book Of Thelema, the Greek word for will. He set to writing it with gusto, taking degeneracy as his creed and filing his teeth to sharp points to give himself a horrifying appearance. And he replaced the Ten Commandments with just one: "Do what you want, is the whole of the law'.

Worse was to come.

A keen mountaineer since boyhood, in 1905 Crowley set out to climb Kangchenjunga, a peak which, according to Nepalese legend, is the home of the gods. It was an ill-fated mission during which he beat one of his servants to death. And when another slipped and caused an avalance, he refused to help dig out his comrades, all of whom perished. After the tragedy he declared he wanted no more 'Christianity, rationalism, Buddhism, the lumber of the centuries ... I want blasphemy, murder, rape, revolution'. Seemingly overnight, the odious Crowley abandoned Rose, along with his little daughter, whom he had named, with his usual flamboyance, Nuit Ma Ahathoor Hecate Sappho Jezebel Lilith.`I was no longer influenced by love for them, no longer interested in protecting them as I had been,' he wrote.

Though he made wild claims about his determination to give free rein to his insatiable sexual energy, Crowley was, in reality, a pathetic figure interested primarily in fame at any price. Back in London he tried putting on dimly-lit public displays of heathen rites in which a male disciple, rumoured to be his lover, performed an erotic dance while his new Australian mistress played the fiddle. The advance publicity suggested unspeakable sex acts, but there were none. At the end of the performance, Crowley shouted: `There is no God,' hoping to get arrested under the blasphemy laws, but no one was interested. His next adventure was a trip to Europe with several lady friends, smoking hashish, drinking alcohol and using opium. Then, as World War I was declared, he fled to the U.S. where he gave an infamous pro-German speech at the base of the Statue of Liberty.

By the time he returned to Britain in 1919, he was broke, having spent the last of his family money. In failing health, Crowley turned to heroin. He was just 44, his only source of income was a publisher's advance of £60 (about £2,000 these days) for a novel about drugs, his only survival strategy to find a poverty-stricken part of Europe where he could practise his foul ideas on the cheap. That is when Crowley decamped to Sicily, where the cost of living was dirt cheap, and he would pass his most infamous years. With his new American mistress Leah Hirsig, a new baby daughter and her nurse who had a child of her own, he set up home in a primitive hilltop villa which he named 'the Abbey of Thelema' and dedicated it to his self-indulgent cult. Dogs and children ran round a yard littered with all the paraphernalia of drug-taking and the black arts. Here Crowley's half-starved children were made to witness sexual debaucheries, including the ritual violation of his mistress by a goat on the instructions, so he claimed, of one of his guiding spirits, the Secret Chiefs. When one of his visitors died after drinking cat's blood in a black magic ceremony, his evil reputation was assured.

Crowley was now a universal figure of hate. Chased out of Italy and dubbed the man we would most like to hang', he fled to North Africa, sleeping with young boys and prostitutes in every city he visited.His behaviour was increasingly bizarre. When he was introduced to a woman he would grab her wrist and bite it until it bled. Yet, even though he was fat and bald with fetid breath, women were still bowled over by his mesmeric stare.

Crowley was to marry once again in 1929, this time in Leipzig, to a middle-aged Nicaraguan. A year later he took up with a new 19 year-old German mistress, who subsequently committed suicide. He spent his last years in Britain in and out of court, instigating libel actions, calling himself by dozens of grandiose aliases. After a minor heart attack he moved to a seedy boarding house in Hastings. There he died in 1947, aged 72, not in any satanic ritual, but alone in bed, tears streaming down his cheeks. His last words were: 'I am perplexed. Sometimes I hate myself.'

But Crowley was not finished yet. At his cremation in Brighton, a satanic ritual invoking the great god Pan was performed by his bohemian followers. Afterwards his ashes were whisked away to America by adherents of his new religion, Crowleyism. His influence has never died out. The Beatles included him on their Sergeant Pepper album cover as one of the iconic faces of the 20th century. And when American sexologist Alfred Kinsey visited his Sicilian abbey to explore Crowley's ideas about free love, the desperate satanist finally received a lasting accolade as father of the permissive society. And it had all begun in that flat in Chancery Lane.

Today the building is a gutted shell. Gone is the pungent incense, the Victorian hangings and the evil altar. But who placed the magical trappings on the spot where Crowley once honed his craft?The pentagram is the satanic symbol of the Black Goat Baphomet, which was Crowley's magical name. It is still used today by Neo Pagans. The builders who stumbled on the sinister display knew nothing of this. They maintain it was planted there by a casual labourer who must have known that Crowley had once lived there. They say they are treating the whole thing as a joke. Yet, whether to protect the developers' interests or themselves from evil repercussions, there is some evidence they are taking it more seriously than they admit. The workman suspected of planting the portents is no longer welcome on site. Yet his departure has made no difference to the gloomy atmosphere of the building. Neither has it erased the tangible nervousness of the men who remain working there who sometimes still turn up in the mornings to find guttering candles in the dark corners.

They cannot escape the nagging fear that they might have disturbed the evil soul of its ghoulish former tenant.

Tuesday, January 03, 2006

This bird having flown

Writing is a lot like parenting... everybody has advice on how to do it right, but the only method that really works is to trust your instincts and do the best you can. Oh, there's always the snippet of wisdom to be found here and there, but a novel, like a child, is your baby. You nurture it, you give it love, and fill it with your own experiences... then you send it off into the world and hope for the best.

Cairnwood Manor is my baby. It's been with me, from first glimmers of thought to actual words on paper for 18 years. I guess my baby's all grown up and ready to leave the house for the cold, cruel world.

A child leaves the nest at 18 to carve a place for itself in the world and leave its mark. Here's to hoping Cairnwood Manor does the same.

You can pre-order Cairnwood Manor: Shadows Over Somerset directly from the publisher, KHP Industries or, for free shipping, from Shocklines.

Other online outlets will be available upon the book's actual release.

Read a review of the book at Horror Web.